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Understanding Texts and Identity: A Ways of Reading Approach, Assignments of English Language

The concept of reading as a means of constructing meaning and identity. It discusses the idea that texts are not fixed in meaning but are constantly reformed through the reader's interpretation. The document also touches on the role of context in shaping our understanding of texts and the construction of identity. It includes a discussion on the postmodern subject and the ways in which identity is constructed in relation to societal narratives and representations.

Typology: Assignments

2019/2020

Uploaded on 12/24/2020

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WAYS OF READING
1. Text, discourse, and ideology; discourse analysis
1. Everything is constructed.
1. Text - is combination of signs "read" (Thwaites et al.)
a. Involves an act of communication
i. Communication (two-way ; sender/receiver)
ii. Sender - assembles the text (author)
1. I want to communicate to readers what I understand
ii. Receiver - the reader who reads
iii. A reader/ viewer activates signs
1. Signs - used to communicate; symbol
a. Letters > apple (with meaning)
i. An apple a day keeps the doctor away.
b. Numbers
2. Why this definition of text?
a. Roland Barthes : the move from work (assemblage of signs) to text
b. Text becomes text once it is read
c. Text cannot be divorced from context (namimisinterpret sya)
d. Text are not words (images, colors, sounds
1. Contexts:
a. Context of production (where and when the text was created)
i. Shakespeare - completely different (english writer of renaissance)
1. A playwright for the masses; wrote in English pero latin ang
common
2. Staged sa high class theaters; ccp
3. He's no longer the playwright of masses kasi recontextualized
na ang education
b. Context of consumption (where and where the text's meaning is activated)
i. Writing about english monarchy (about kings)
ii. Understanding shakespeare in philippines
1. Find it difficult to appreciate his text kasi iba ang context dito
2. Context ko ay democraticl reading other readings with same
stories but contextualized
2. There's is no such thing as fixed meaning - generated partly by features outside the
work itself
3. Meaning is constantly reformed: represented, resisted, incorporated
4. Context of production can be different from context of consumption
5. Meaning comes from you
6. If other texts reiterate idea (apple is equal to mango)
7. We can look a text from a distance and ask how the texts position us (why do i think?)
8. Ask if there is a way to interpret the text which allows us to resist problematic positions;
reiterate certain beliefs and values
9. Gender - male and female daw pero ngaun, there are more than two genders
a. What are the ideas that support this
ENG 13 A.Y. 2019-2020
INSTRUCTOR: ALEXANDRA MAY CARDOSO
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  1. Text, discourse, and ideology; discourse analysis
  2. Everything is constructed.
  3. Text - is combination of signs "read" (Thwaites et al.) a. Involves an act of communication i. Communication (two-way ; sender/receiver) ii. Sender - assembles the text (author)
  4. I want to communicate to readers what I understand ii. Receiver - the reader who reads iii. A reader/ viewer activates signs
  5. Signs - used to communicate; symbol a. Letters > apple (with meaning) i. An apple a day keeps the doctor away. b. Numbers
  6. Why this definition of text? a. Roland Barthes : the move from work (assemblage of signs) to text b. Text becomes text once it is read c. Text cannot be divorced from context (namimisinterpret sya) d. Text are not words (images, colors, sounds
  7. Contexts: a. Context of production (where and when the text was created) i. Shakespeare - completely different (english writer of renaissance) 1. A playwright for the masses; wrote in English pero latin ang common 2. Staged sa high class theaters; ccp 3. He's no longer the playwright of masses kasi recontextualized na ang education b. Context of consumption (where and where the text's meaning is activated) i. Writing about english monarchy (about kings) ii. Understanding shakespeare in philippines
  8. Find it difficult to appreciate his text kasi iba ang context dito
  9. Context ko ay democraticl reading other readings with same stories but contextualized
  10. There's is no such thing as fixed meaning - generated partly by features outside the work itself
  11. Meaning is constantly reformed: represented, resisted, incorporated
  12. Context of production can be different from context of consumption
  13. Meaning comes from you
  14. If other texts reiterate idea (apple is equal to mango)
  15. We can look a text from a distance and ask how the texts position us (why do i think?)
  16. Ask if there is a way to interpret the text which allows us to resist problematic positions; reiterate certain beliefs and values
  17. Gender - male and female daw pero ngaun, there are more than two genders a. What are the ideas that support this ENG 13 A.Y. 2019-
  1. The post modern subject a. -the body pins down several contexts into one space or time b. Subject position - contexts from which you draw your identity and from which you draw meanings and interpretations c. We construct our identity consciously or unconsciously depending on the contexts we are exposed to (religion, geographical location, dialect, social status, class, culture) d. Saan ka nanggagaling? e. You dress what you dress, yoou speak what you speak
  2. How is identity is constructed? a. Self is constructed in relation to the many narratives and representations that prevail in their society b. We either accept the prevailing narratives or we resist them (2 ways of reacting) c. Heteronormativity - notion that there are only two genders i. Why is heterosexuality considered the norm 1. The creation in bible 2. The media 3. Medicinal books/ textbooks 4. Family composition (haligi ng tahanan, ilaw ng tahanan) b. How do we respond to this perception? i. What happens if we accept this as truth? (you have to fit) ii. What happens if we reject it? (you will be abnormal to them; resist the prevailing narrative; antagonistics) it will affect our perception (e.g. Homophobic) iii. Tito sotto (why lgbtqia+ pede naman homo sapiens) iv. Bring them back to the light/norm - it's by violence v. Every cultural product assumes
  3. DISCOURSE a. Delimitation of a field of objects, definition of a legitimate perspective and fixing the norms (reading between the lines) b. Determines or takes over a field of interest a c. Constructs their own perspective as natural or inevitable d. Determines and construct power relations e. INSTITUTIONS - same goals, same values; controls discourse must be in line with what they believe f. IDEOLOGY - the system of prevailing beliefs i. Safe spaces - they may be oppressed(the more they talk, the more they reinforce) ii. Institutions are good but we need to step back (evaluate/dismantle) from ideologies
  4. Signs - text- discourse -ideology -institution Discourse analysis - getting a text and analyze it Gunther kress
  5. Why is the topic being written about? Why was the text constructed(strategy)?
  6. How is the topic being written about? What signs does the text use (rhetoric)
  7. What other ways of writing about the topic are there? What other signs could have been used in the text? (what are the suprresed alternatives) ENG 13 A.Y. 2019-